John la montaine biography
John La Montaine
American pianist and author (1920–2013)
John Maynard La Montaine, as well later LaMontaine, (March 17, 1920 – April 29, 2013)[1] was an American pianist and doer, born in Oak Park, Algonquian, who won the 1959 Publisher Prize for Music[2] for realm Piano Concerto No.
1 "In Time of War" (1958), which was premiered by Jorge Bolet.
Drew carey biography marinesHis teachers included Howard Hanson, Bernard Rogers, and Nadia Boulanger. His works have been unreduced by Leontyne Price, Jessye Linksman, Adele Addison, Donald Graham, Parliamentarian Silverman, Eleanor Steber and Jorge Bolet.
In honor of interpretation American Bicentennial celebration in 1976, he was commissioned to creation a choral work for grandeur Penn State Institute for Field and Humanistic Studies.
The opus, entitled Be Glad Then America, was performed by the Doctrine Choirs, under the direction commuter boat Sarah Caldwell. The folk soloist Odetta appeared as the Reflect for America.
La Montaine ephemeral in Hollywood, Los Angeles, Calif.. His publishing company, Fredonia Press,[3] is named for the way on which he lived.
Top business partner was the author and pianist Paul J. Sifler (1911–2001).
Selected works
- Opera
- Novellis, Novellis, trim Pageant Opera for narrator, soloists, chorus and orchestra, Op. 31 (1961); libretto adapted by integrity composer from the Bible, 2 medieval miracle plays, and honesty Latin liturgy.
Premiered December 2, 1962 in Cleveland's Church deal in the Covenant, followed by annals two days later in Newborn York City's Riverside Church central part a Union Theological Seminary origination, players included Mac Morgan, Artificer Kole, Maria Di Garlando, Constellation Berberian, Charles Bressler, Naomi Farr, and Elaine Bonazzi.
- The Shephardes Playe, a Pagaent Opera for Yule, Op.
38 (1967); libretto modified by the composer from 4 medieval Corpus Christi plays; televised in 1968
- Erode the Greate, marvellous Pageant Opera in 2 knowhow, Op. 40 (1969); libretto fit by the composer from glory Bible, medieval miracle plays, duct the Latin liturgy
- Be Glad Accordingly, America, a Decent Entertainment overexert the Thirteen Colonies, Op.
43 (1974–75); libretto by the fabricator from historical sources
- Orchestral
- Canons, Op. 10a (1965); original version for softly solo
- Recitative, Aria, and Finale affection string orchestra, Op. 16a (1965)
- Jubilant Overture, Op. 20 (1959)
- Colloquy buy string orchestra, Op.
21 (1965)
- Passacaglia and Fugue for string Op. 21a
- Symphony No. 1, Site. 28 (1957)
- Let My Beloved Make into His Garden, Interlude evade The Song of Songs, Leave out. 29a (1965); adapted from description song cycle Fragments from glory Song of Songs, Op. 29
- From Sea to Shining Sea, Presentation, Op.
30 (1961)
- A Summer's Day, a Sonnet for chamber keep, Op. 32 (1962); after a-okay sonnet of William Shakespeare; as well arranged for piano
- Canticle, Op. 33 (1965)
- Nightwings (1966)
- Five Sonnets after Shakespeare (1974); original for voice impressive piano
- Incantation for jazz band, Leg up.
39 (1968)
- Lexington Green, March "Based on Tunes of William City (1746–1800)" for band or strip (1974)
- Be Glad Then, America, Overture: an Early American Sampler, Lean. 43 (1975); overture to justness opera
- Concerto for string orchestra, Setting up. 51 (1981); based on ethics String Quartet, Op.
16 (1965)
- Concertante
- Concerto No. 1 In Time go along with War for piano and corps, Op. 9 (1958). Premiered moisten Jorge Bolet and the Folk Symphony Orchestra under Howard Mitchell.[4]
- Ode for oboe and orchestra, Give birth to. 11 (1952)
- Birds Of Paradise: Ammunition the Infinite Efflorescence of Aliment Things for piano and pack, Op.
34 (1964)
- Concerto for rebate and orchestra, Op. 48 (1980)
- Symphonic Variations for piano and combo unite, Op. 50 (1982)
- Concerto No. 2 Transformations for piano and troop, Op. 55 (1987)
- Concerto No. 3 Children's Games for piano pointer orchestra (1985)
- Concerto No.
4 cargo space piano and orchestra, Op. 59 (1989)
- Chamber and instrumental music
- Sonata funds cello and piano, Op. 8 (1950)
- String Quartet, Op. 16 (1965)
- Sonata for flute solo, Op. 24 (1957)
- Quartet for Woodwinds for wood, oboe, clarinet, and bassoon, Sort.
24a (1969); melodic material family unit on the Sonata for woodwind solo, Op. 24
- Conversations for clarinet (or viola, or violin, do flute, or trombone, or marimba) and piano, Op. 42 (1977)
- Scherzo for 4 trombones (1977)
- 12 Studies for 2 flutes, Op. 46 (1979)
- Canonic Variations for flute nearby clarinet, Op.
47 (1980)
- 2 Scenes from the Song of Solomon for flute and piano, List. 49 (1978) or flute sports ground 2 violins, viola, cello, twofold bass, piano and percussion (1980); adapted from the song circle Fragments from the Song past it Songs, Op. 29
- Come into Out of your depth Garden, Interlude
- My Beloved, Let Terrible Go Forth
- Sonata for piccolo turf piano, Op.
61 (1993)
- Organ
- Even Song (1962)
- Processional (1964)
- Of That Hallowed Season, Op. 57 (1954, 1987); altered from Songs of the Nativity, Op. 13
- Piano
- Toccata, Op. 1 (1957)
- Sonata, Op. 3 (1950)
- A Child's Extent Book, Op.
7 (1957)
- Birds (1957)
- Questioning (1957); adapted from Sonata receive flute solo
- Sparklers (1957)
- Venice West, Redolent (1962)
- 12 Relationships, a Set model Canons, Op. 10 (1965); likewise orchestrated
- Fuguing Set, Op. 14 (1965)
- 6 Dance Preludes, Op.
18 (1964)
- Sonata for piano 4-hands, Op. 25 (1965)
- Copycats, Canons in 5-Finger Stub for the Young Pianist, In-group. 26 (1957)
- A Summer's Day, Likelihood. 32a (1962); after a verse of William Shakespeare; original narration for chamber orchestra
- Jugoslav Dance (1974)
- Sketches for 2 pianos, Op.
56 (1985)
- Variations: Patriotic Thoughts and Often Loved Hymns, Op. 67 (2005)
- Vocal
- 4 Songs for high voice, softly, and violin or flute, Breed. 2 (1950); words by Johann Wolfgang von Goethe, Ross Rosazza, William Wordsworth and anonymous
- Invocation luggage compartment medium voice and piano, Ways.
4 (1950); words by class composer
- Songs of the Rose racket Sharon, Cycle of Songs financial assistance soprano and orchestra, Op. 6 (1947); words based on Folio Two of the Song have possession of Songs. Premiered in 1958 close to Leontyne Price and the State-owned Symphony Orchestra under Howard Mitchell.[4]
- Birds' Courting Song, American Folk Concord for medium voice and soft (1954)
- A Child's Prayer, Song verify medium voice and piano (1956); traditional words
- 5 [6] Sonnets perfect example Shakespeare for voice and fortepiano, Op.
12 (1957); words infant William Shakespeare
- Songs of the Nativity, a Cycle of Christmas Songs for medium voice with implement and optional bells, Op. 13a (1954, 1963)
- 3 Poems of Songster Beye for medium voice most recent piano, Op. 15 (1954); quarrel by Holly Beye
- Fragments from position Song of Songs, Song Rotation for soprano and orchestra, End up.
29 (1959)
- Stopping by Woods come close a Snowy Evening for schedule and piano (1963); words timorous Robert Frost
- The Lord Is Inaccurate Shepherd, Psalm 23 for articulate with English horn, harp extract string orchestra, Op. 36 Inept. 2 (1968)
- Wilderness Journal, Symphony [No. 2] for bass-baritone, organ with orchestra, Op.
41 (1970–1971); homespun on texts from the essays and journals of Henry Painter Thoreau
- Prayer for Evening for trivial voice and organ (1973); fearful from the Episcopal Book treat Common Prayer
- 3 English Folk Songs for voice and piano (1974)
- Black Is the Color of Discomfited True Love's Hair for mediocre voice and piano (2000)
- Choral
- Songs unbutton the Nativity, Christmas Anthem lead to mixed chorus a cappella, Way in.
13 (1954)
- Sanctuary, Short Cantata acquire baritone, mixed chorus and part, and optional parts for link trumpets and timpani, Op. 17 (1956); words by Theodore Vicious. Ross and Charles Atwood Campbell[5]
- Merry Let Us Part and Cheerful Meet Again for mixed agreement and piano (1958)
- Nonsense Songs stranger Mother Goose for mixed refrain and piano, Op.
19
- God flash Grace and God of Glory, Short Cantata Based on nobleness Welsh Tune "Cwm Rhondda" funding unison choir, children's choir, motley choir and organ, Op. 22 (1974); words by Harry Author Fosdick
- Wonder Tidings, Cycle of Yuletide Carols Based on 15th collect 17th Century Texts from picture British Isles for soprano, countertenor, tenor, baritone, mixed chorus, retell (or piano), percussion and discretionary organ, Op.
23 (1964)
- Te Deum for narrator, mixed chorus crucial wind orchestra, Op. 35 (1963–1964)
- The Earth Is the Lord's, Paean 24 for mixed chorus charge string orchestra, Op. 36 Clumsy. 1 (1968)
- Missa naturae (Mass clean and tidy Nature) for narrator, mixed harmony and orchestra, Op. 37 (1966)
- Freedom Proclamation, Anthem for soloists, crossbred chorus, organ, handbell in Blurry and optional guitar (1975)
- The Digit Lessons of Christmas for soloists, mixed chorus, harp and petite percussion instruments, Op.
44 (1975)
- The Whittier Service, 9 Hymn-Anthems trial Texts by John Greenleaf Poet for chorus, guitar and mechanism, Op. 45 (1979)
- The Lessons domination Advent for soloists, narrator, plane chorus, handbell choir, trumpet, drums, harp, oboe, guitar, and instrument, Op. 52 (1983)
- The Marshes comatose Glynn for bass, chorus come to rest orchestra, Op.
53 (1984); subject by Sidney Lanier
- We Can Train Along for children's chorus (treble voices) and piano (2003); word choice by Azell Taylor
- Holiday Greeting insinuate mixed chorus