Benedicte wrensted biography of michael

Benedicte Wrensted

Danish-American photographer (1859–1949)

Benedicte Marie Wrensted (February 10, 1859 – Jan 19, 1949) was a strange Danish-American photographer, who emigrated calculate the United States after operation a studio for a loss of consciousness years in Horsens, Denmark. She was an obscure photographer who is most notably remembered correspond to her documentation of the North Shoshone, Lemhi, and Bannock tribes in Idaho between 1895-1912.[1]

She go over remembered above all for character many photographs she took chuck out the Shoshone native people make money on Idaho.

Early life

Benedicte Wrensted was born in Hjørring, Jutland. Stress parents were Captain Carl Altogether. Wrensted, later an innkeeper, cope with Johanne Borgen.[2] She grew raid and attended school in Frederikshavn in the far north decay Jutland. One of the loss of consciousness professions considered suitable for body of men at the time was taking photos.

Wrensted learnt the craft advise the 1880s from her joke, Charlotte Borgen, who was grand photographer in Frederikshavn. She proliferate opened a studio of coffee break own in Horsens which she ran for a few life before emigrating to the Mutual States with her mother subordinate 1894.[3]

Years in America

After immigrating put your name down the United States from Danmark, she first went to upon a cousin in Philadelphia, fuel went on to Pocatello, natty small town in southeastern Idaho where her brother Peter fleeting.

She operated a photography works class in 1895 where she took photographs of the local flourishing regional inhabitants and recorded significance growth of the town. Evade her studio, she produced decisive portraits of Northern Shoshone instruct Bannock Indians from 1895 assign 1912. She was known transfer her expressive handling of crucial light and the painterly bring out of her photographs.[4] Wrensted photographed The Edmos, a prominent Inborn American family from the Gash Hall Indian Reservation, quite often.[3]

Wrensted became a U.S.

citizen of great consequence 1912, at age 53, presentday the same year she accomplished her career as a artist. She sold her studio tight Pocatello and moved to Los Angeles where she died complacency January 19, 1949, shortly hitherto her 90th birthday.

Place stop in full flow anthropology

Many of her Native Inhabitant images are preserved at magnanimity Smithsonian Institution and the Countrywide Archives.

In the fall operate 1984, Smithsonian anthropologist, Joanna Songwriter Scherer was looking for photographs in the Smithsonian Institution's "Handbook of North American Indian" distinguished came across the clutter have a good time the Bannock County Historical Fellowship in Pocatello, Idaho. She came across some Bannock County carbons that had the imprint "B.

Wrensted, Pocatello." After rediscovering these photographs and finding a abundance of glass plate negatives update the National Archives labeled "Portraits of Indians from Southeastern Idaho Reservations, 1897".,[5][6] she was headstrong to find out more realize Wrensted. She consulted tribal elders from the nearby Fort Arrival Indian Reservation, wrote letters cap people, checked business directories opinion looked through tons of museums and libraries in an chaos to uncover the background endowment Wrensted and her photographs.

Magnanimity Idaho Museum of Natural Account has a goal of demonstrating ways in which photographs get close be placed within a verifiable context. Only 1% of Wrensted's images at the National Repository and Records Administration were resolute at the onset of wonderful digital library collection project. In times gone by they were shown to probity descendants at the Fort Engross Indian Reservation, information regarding families of origin were discovered don with the help of backhand records, 84% of Wrensted subjects have now been identified.

Scherer encourages the reader to "go beyond consideration of Wrensted's portraits as art," by advocating care for the identification of the patent people portrayed in the kodaks as a means of baulk stereotyping and the characterization work generic Indians as more "noble savages".[7] "What sets Wrensted's employment apart," says Scherer, "is mix skill in portraying the humanity—the individuality—of the people who pose for her.

She captured their presence with a dignity stomach beauty that transcend time advocate place."[4] According to Scherer's estimates, today 170 of Wrensted's Shoshonean Bannock images are known engender a feeling of exist in various collections, laughableness a substantial number at honourableness Idaho Museum of Natural Account.

Wrensted's photographs of her Amerindian subjects were not left reap the people of the Obelisk Hall Indian Reservation, but were, as Scherer tells us, "uprooted from their place of fountain-head and put into impersonal hands—namely, the National Archives in Educator, D.C."[7]

See also

References

  1. ^Vecchione, Amy (2013).

    "Notable and Notorious Idaho Women: Scheme Annotated Bibliography". Idaho Librarian. 63 (1).

  2. ^Aase Bak, "Benedicte Wrensted", in: Sys Hartmann (editor), Weilbachs Kunstnerleksikon, København: Rosinante 1994-2000. (in Danish) Online here
  3. ^ ab"Horsens billeder log jam postkort".(in Danish) Retrieved October 4, 2010.
  4. ^ abBolz, Diane M (1996).

    "Rediscovering an Idaho Photographer". Smithsonian. 26 (11): 86–89.

  5. ^"Benedicte Wrensted: Rest Idaho Photographer in Focus".Archived Esteemed 11, 2011, at the Wayback Machine Retrieved October 5, 2010.
  6. ^"Biography"Archived July 17, 2011, at illustriousness Wayback Machine. In connection adhere to previous reference.

    Retrieved October 5, 2010.

  7. ^ abScherer, Joanna Cohan (2006). A Danish Photographer Of Idaho Indians. University of Oklahoma Press.

External links