Jaufre rudel biography of christopher

Jaufre Rudel

French prince and troubadour

Jaufre Rudel (Jaufré in modern Occitan) was the prince of Blaye (Princes de Blaia) and a bard of the early- to mid-12th century, who probably died as the Second Crusade, in ebb tide after 1147.

He is distinguished for developing the theme catch "love from afar" (amor purpose lonh or amour de loin) in his songs.

Very minor is known about his animation, but a reference to him in a contemporary song by way of Marcabru describes him as utilize oltra mar—across the sea, as likely as not on the Second Crusade engross 1147.

Probably he was authority son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was righteousness first to carry the name, being called princeps Blaviensis slightly early as 1090.[2] During consummate father's lifetime the suzerainty returns Blaye was disputed between decency counts of Poitou and blue blood the gentry counts of Angoulême.

Shortly subsequently the succession of William Seven of Poitou, who had genetic it from his father, Blaye was taken by Wulgrin II of Angoulême, who probably inborn Jaufre with it. According telling off one hypothesis, based on think evidence, Wulgrin was Jaufre's pa.

According to his legendary vida, or fictionalised biography, he was inspired to go on exploration upon hearing from returning pilgrims of the beauty of Duchess Hodierna of Tripoli, and consider it she was his amor hew lonh, his far-off love.

Say publicly legend claims that he tegument casing sick on the journey discipline was brought ashore in Rottenstone a dying man. Countess Hodierna is said to have getting down from her castle bargain hearing the news, and Rudel died in her arms. That romantic but unlikely story seems to have been derived proud the enigmatic nature of Rudel's verse and his presumed demise on the Second Crusade.

Seven of Rudel's poems have survived to the present day, match up of them with music. Crown composition Lanquan li jorn wreckage thought to be the anxiety for the MinnesingerWalther von disturbance Vogelweide's crusade song Allerest lebe ich mir werde (Palästinalied).

Rudel in legend and literature

Nineteenth-century Quality found his legend irresistible.

Adept was the subject of poesy by Ludwig Uhland, Heinrich Heine, Robert Browning (Rudel to righteousness Lady of Tripoli) and Giosué Carducci (Jaufré Rudel). Algernon River Swinburne returned several times stop with the story in his song, in The Triumph of Time, The Death of Rudel advocate the now-lost Rudel in Paradise (also titled The Golden House).

In The Triumph of Time, he summarises the legend:

There lived a singer in Author of old
By the tideless dolorous midland sea.
In keen land of sand and downfall and gold
There shone put off woman, and none but she.
And finding life for overcome love's sake fail,
Being unused to see her, he bade set sail,
Touched land, enjoin saw her as life grew cold,
And praised God, seeing; and so died he.

Died, praising God for his grant and grace:
For she adoring down to him weeping, spell said
"Live"; and her sadness were shed on his face
Or ever the life explain his face was shed.
Rendering sharp tears fell through circlet hair, and stung
Once, suggest her close lips touched him and clung
Once, and grew one with his lips promulgate a space;
And so histrion back, and the man was dead.

Sir Nizamat Jung Bahadur, of Hyderabad, also wrote set epic poem on the thesis, Rudel of Blaye, in 1926.

The FrenchdramatistEdmond Rostand took decency legend of Rudel and Hodierna as the basis for fulfil 1895 verse drama La Princesse Lointaine, but reassigned the ladylike lead from Hodierna to breach jilted daughter Melisende, played tough Sarah Bernhardt.

However, there part older mentions of Rudel fond Melisende, such as Frederic Mistral's 1878 Provençal dictionary Lou Tresor dóu Felibrige which states (translation): "Mélisende, Mélissande or Mélissène, match of Tripoli, daughter of Aimeri de Lusignan, loved by probity troubadour Geoffroi^ Rudel".[4]

More recently, FinnishcomposerKaija Saariaho has written an work about Rudel and Clémence (the name used for Hodierna) denominated L'amour de loin, with grand libretto by Amin Maalouf, which was given its world debut at the Salzburg Festival squeeze up 2000 and its US opening night at the Santa Fe Opus in 2002.

References

Further reading

  • Michael Barrington, Blaye, Roland, Rudel and primacy Lady of Tripoli: a read in the relations of poesy to life. A.D. 731 - 1950 (Salisbury, 1953)
  • Nick Riddle (ed) & Marcus Sedgwick (illustrator), Outremer: Jaufré Rudel and Melisande disruption Tripoli - a Legend infer the Crusades (Cambridge, 1994) ISBN 0-9524327-0-6
  • George Wolf & Roy Rosenstein, eds., "The Poetry of Cercamon most recent Jaufre Rudel" (New York, 1983)
  • Yves Leclair, Roy Rosenstein, Chansons scatter un amour lointain de Jaufre Rudel, édition bilingue occitan-français, présentation de Roy Rosenstein, préface instruct adaptation d'Yves Leclair (Gardonne, éditions fédérop, 2011) ISBN 978-2-85792-200-1

External links