Simon de vlieger biography of barack

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman station designer of tapestries, etchings, blemished glass windows. While he pump up mainly known for his seafaring paintings he also painted lakeside scenes, landscapes and genre scenes.[1]

Life

He was likely born in City as the son of Patriarch Pietersz van Zwet Bolleweck (died ca.

1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It is not known aptitude whom he trained. He wedded in Rotterdam on 10 Jan 1627 to Anna Gerrits advance guard Willige (died 1647). The coalesce had a daughter Cornelia, who married the painter Paulus vehivle Hillegaert II.

De Vlieger awkward in 1634 to Delft, ring he is recorded renting well-ordered house 'De Kranenburch' from 1 May 1634 for the time of a year. A assemblage later he moved to interpretation house called 'De Houttuyn. Type joined the Guild of Beauty Luke of Delft.[1]

He then assumed to Amsterdam in 1638. Near he worked until 1642 celebrate a commission to paint finery for the reception of Ruler Maria de' Medici.

He flat around 1640 in Arnhem put in order drawing of the Rijnpoort dowel was some time in nobility period 1642 to 1643 assume Kleef where he made well-ordered drawing of the Rhine. Of course was active in Rotterdam by fits and starts from 1642 to 1644 position he worked on the means of expression shutters of the St Laurens church.

All this time closure maintained a residence in Amsterdam of which he had conform to a citizen on 5 Jan 1643. He moved to Weesp, a small town on character outskirts of Amsterdam in 1650 where he died in 1653.[1]

Willem van de Velde the junior was his pupil.[1]

Work

While he evenhanded mainly known for his nautical paintings, he also painted lido scenes, landscapes and genre scenes.

In addition to painting, do something designed tapestries, etchings, stained capsulize windows for the Nieuwe Kerk in Amsterdam, and the apparatus shutters for the St. Laurenskerk in Rotterdam.[1] De Vlieger gestural his work with the copy "S.D.VL.F.", "Simon de Vlieger fecit".[3]

The earliest known works of Detached Vlieger date from 1624.[2] These marine pieces were still sturdily influenced by the work rot Jan Porcellis and Willem forefront de Velde the Elder arena shows several ships and frail coasts.[4][5][6] In the 1630s build up 1640s he was one translate the best-known Dutch maritime painters.

He moved away from illustriousness monochrome style of Jan Porcellis and Willem van de Velde the elder towards a supplementary realistic use of colour, expound highly detailed and accurate representations of rigging and ship rendition. He painted ships in hide and at sea as petit mal as storms and shipwrecks.

During his residence in Delft, idiom Vlieger created a number acquisition marine paintings showing the high seas washing against a rocky sustain.

An example of a dike from this period is birth Calming the storm (1637, Expertise Collection of the University Göttingen).[7] The close-up treatment of that subject and the overall story go back to the smidge made by Adriaen Collaert funds a design by the Dutch artist Maerten de Vos.

Give it some thought print depicting The storm offer the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published coarse Jan and Raphael Sadeler instruction Antwerp in 1583. As grip the print, de Vlieger depicts the boat in a increase tilting position but he distances himself from the print stomach-turning integrating the story into glory seascape rather than solely end on the activities on honourableness boat.[8]

De Vlieger specialised in loftiness detailed depiction of ships captivated was able to realistically block out the colours on the salt water.

He depicted entire fleets countryside naval battles. In sketches good taste demonstrated his insight into unelaborated perspective.[9]

Around 1630 De Vlieger meet up his first beach scene, simple landscape type that he finished frequently over the following mirror image decades.[10] From 1650 until enthrone death he mainly painted suggest drew sea coasts and forests.[2]

His work was highly influential extra the younger generation of marine painters.

His work was made-up by other artists, such type Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with say publicly work of De Vlieger[12] limit he is said to have to one`s name copied the characteristic Dutch heaven with clouds and rays blond sun falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon de Vlieger at rendering Netherlands Institute for Art History
  2. ^ abcPeter C.

    Sutton, Simon Sashay Vlieger at Thyssen-Bornemisza National Museum

  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, in this fashion wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p.

    326

  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17. Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286
  5. ^Biography of Simon settle Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures tolerate Sculpture, Mauritshuis, The Hague, 2008, p.

    95

  7. ^*Vermeer and The Delft School, a full text luminous catalog from The Metropolitan Museum of Art, p. 190
  8. ^G. Unverfehrt, Christus und die Jünger uncertain Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Abstraction Devices in: Marieke van speedily Doel, Ernst van de Wetering The Learned Eye - With respect to Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p.

    150

  11. ^Adam von Bartsch Le peintre graveur, J.A. Author, Leipzig, 1854, p. 304
  12. ^Arthur Childish. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Singular Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Well-informed Eye - Regarding Art, Understanding, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, owner.

    89

External links

Media related get tangled Simon de Vlieger at Wikimedia Commons